{"title":"Cassette","description":"","products":[{"product_id":"lifes-question-s-t-cassette","title":"Life's Question - S\/T Cassette","description":"\u003cp data-pm-slice=\"1 1 []\"\u003eLife’s Question defines themselves as “the real deal”, but the five-piece band are more than your average hardcore act. Originally formed in 2015, the band truly came together as a unit in 2018 with the release of Cursed the Will to Dream and broke out with the 2019 EP, A Tale of Sudden Love and Unforgettable Heartbreak.\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003eAfter a slew of singles, Life’s Question presented their full-length World Full Of… which put their blend of crushing hardcore meets classic rock riffs on full display. On the upcoming EP, Life’s Question,the band elevated the sound even further for their Flatspot Records debut.\u003c\/p\u003e\n\u003cp\u003eWhile taking inspiration from other genres is nothing out of the ordinary, Life’s Question has created a completely unique sound on their self-titled release. Citing influences from Faith No More, No Warning, Van Halen, and Fats Domino, the band showcase a knack for melody while also giving a tough as nails delivery. Josh Haynes’ gruff vocal approach finds juxtaposition in the lush vocals supplied by guitarist Abby Rhine, shifting tracks like “When I Meet God” and “Something Out There'' to moments of serenity amongst the chaos. Guitars from Abby and Ridge Rhine, and bassist AJ Hoenings, burst through electrifying solos and downtuned grooves. Drummer Nick Barker builds the backbone of the six tracks, leading off intense breakdowns. With producer Jon Markson (Regulate, Jivebomb) at the helm, the entire EP comes through as a seamless yet diverse listen.\u003c\/p\u003e\n\u003cp\u003eSpending much of their career on the road, Life’s Question has toured with Drain, One Step Closer, Pain Of Truth, Regulate, and Higher Power. The band’s unrelenting drive and creativity has earned them praise from Stereogum, BrooklynVegan, and No Echo. As Life’s Question heads into the release of their new EP, the band is looking towards a bright and busy future in hardcore and beyond.\u003c\/p\u003e","brand":"Sunny Day Records","offers":[{"title":"Cassette","offer_id":48105637773556,"sku":null,"price":450.0,"currency_code":"PHP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0650\/3956\/5044\/files\/LQ_Tape_Mock_1800x1800_a7e41fbc-c328-4384-b89a-578d03440a96.webp?v=1737338522"},{"product_id":"jivebomb-primitive-desires-cassette","title":"Jivebomb - Primitive Desires Cassette","description":"\u003cdiv\u003e\u003cspan id=\"m_9188801458839216418docs-internal-guid-df2c9755-7fff-f0fa-4372-b89b3adbd23a\"\u003e\u003cspan\u003ePrimitive Desires\u003c\/span\u003e\u003cspan\u003e was recorded with producer Matt Redenbo at J. Robbins’ Magpie Cage studio and it was mixed and mastered by Jon Markson (Drug Church, Regulate, Soul Blind). Across the record, Kat delivers with ferocity over groove-laden guitars and bouncy mosh parts, reminiscent of bands like Negative Approach and The Rival Mob. Clocking in at under five minutes, it’s a brazen effort that gives the listener just enough time to take a breath before wanting to hit the repeat button. Despite only being a band for a short time, Jivebomb have been able to share the stage with some heavy-hitters, from old-school bands like Slapshot to other upcoming acts like Restraining Order, and will hit the road for a string of dates with labelmates Scowl this fall. Keeping things short, fast, and catchy, it’s only a matter of time before Jivebomb stakes their claim as an essential hardcore band.\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e","brand":"Sunny Day Records","offers":[{"title":"Cassette","offer_id":48105637740788,"sku":null,"price":550.0,"currency_code":"PHP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0650\/3956\/5044\/files\/FSR64-CassetteMock_1800x1800_2143f3d2-b390-45ed-bbfc-609ed7afd67c.webp?v=1737338690"},{"product_id":"speed-only-one-mode-cassette","title":"SPEED - ONLY ONE MODE Cassette","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eo catch everyone up: Australian hardcore band SPEED is putting their foot down on the world. For hardcore kids from Sydney, which is where SPEED’s from and what they represent, this is a first. Everyone in the band has been going to shows for years—”real moshers,” always up front, dancing. (The full lineup: Aaron Siow and brother Jem on bass and vocals, respectively, Josh Clayton and Dennis Vichidvongsa on guitars, Kane Vardon on drums.) During a lull period in their home scene—“there were no new bands going on”—the guys stepped up and tapped in. SPEED decided to start out hard and traditional—a high-level aesthetic decision that, every five years, an all-time hardcore band does. A reset. For their first year, the group referred to itself on flyers and in interviews, as two words—SPEED HARDCORE—to make things extra simple. This is what they’re about: Hardcore, played hard, played fast, “for us, by us”—explicit, immediate, definitive—hinting at all the crucial bands that have come before them. \u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eTheir new debut full length, ONLY ONE MODE, exemplifies their growth and distillation. It’s a concept album in one sense: a manual that explains, directly, SPEED’s beliefs, the five guys’ personalities, what they bring to the table, what’s special about their scene. Topics are sharp: “Real Life Love,” about the loyalty and realness they’ve learnt from hardcore, shows how SPEED connected through showing up; a depth of expression and emotion set against very punishing music. “The First Test” is full of dynamics—held notes, a tasteful flute break—and speaks on finding oneself as a marginalized individual—in Siow’s case, as an Asian-born Australian: striking out alone and growing in a beautiful and ugly world. “Kill Cap” displays real vulnerability—heartache, regret, spiritual themes, an homage to the friends and family lost to suicide. Lyrics on ONLY ONE MODE embrace perspectives, pore over big ideas and small detailed moments. About the tunes on the record: Harder than the single—more breakdowns, and longer ones; it’s heavy ‘90s metallic hardcore, in conversation with Hatebreed, Merauder, Biohazard. There are more groove parts; vocals are tough and emotive, there are none of the longer melodic parts that hardcore bands occasionally give in to when they rise to a popular level; all artistic decisions that are new for hardcore bands from Australia. \u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eAbout that popularity: It’s new for a hardcore band to be big, unprecedented for one from Australia. Big in two ways—for hardcore kids from Sydney, playing good shows worldwide, proudly representing their scene. And second, for any band from the scene playing hard music, crossing over hard into the larger world. It’s quick work to find SPEED doing both: headlining shows in England, New York, Japan, globally, turning in blazing sets at Sound \u0026amp; Fury and This Is Hardcore, among other massive heavy music festivals. Seven-figure viewed videos—their set at S\u0026amp;F, short films for their songs—and tunes headlining video game soundtracks. Famous folks wearing their jerseys, people new to the scene showing up to more gigs. SPEED know that because of these global crossover moments, they might be some people’s first hardcore band; the idea is that they’ll get introduced not only to SPEED, but also to the scene and the people behind it. Find SPEED, and you’ll find Sydney hardcore; find a band making hard music, find more energy back home. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWhich is what’s happening. ONLY ONE MODE, like their previous records, is being released on Last Ride and Flatspot Records, their homes from the start. The album was produced by Elliott Gallart, Siow’s oldest high school friend; Jack Rudder, a longtime partner and collaborator, has directed all of SPEED’s music videos. The cover photo was taken by James Hartley, the prolific Australian hardcore photographer from the 2000s, when SPEED first started, as young hardcore kids, going to shows. \u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e","brand":"Sunny Day Records","offers":[{"title":"Cassette","offer_id":48105637380340,"sku":null,"price":950.0,"currency_code":"PHP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0650\/3956\/5044\/files\/Speed_OOM_Tape_1800x1800_35464b25-1969-4d55-aa14-b7a40108b502.webp?v=1737338886"},{"product_id":"karate-the-bed-is-in-the-ocean-cassette","title":"Karate - The Bed Is In The Ocean Cassette","description":"\u003cp\u003e\u003cspan\u003eA lingering guitar note. A cushion of a bassline nudging along a hushed cadence unspooling impressionistic poeticism one halting line at a time; the sparse snap of a snare providing punctuation. This is how Boston’s Karate opened their third full-length, 1998’s \u003c\/span\u003e\u003cem\u003eThe Bed Is In The Ocean\u003c\/em\u003e\u003cspan\u003e. Perhaps this was a reaction to the aggressive punk tones that marked their previous album, or maybe they hoped to capture the somnambulant dusk on one of those pristine fall days that make living in a town whose population swells when colleges welcome back students all worthwhile. Then again, Karate never made a point of chasing the same idea twice, and “There Are Ghosts” remains in line with the band’s stylistic intrepidness and unpredictability. Even the group’s lineup appeared constantly in flux. After expanding from a trio to a quartet and employing a dual-guitar attack with 1997’s \u003c\/span\u003e\u003cem\u003eIn Place of Real Insight\u003c\/em\u003e\u003cspan\u003e, founding member Eamonn Vitt hung up his axe to attend medical school. Karate soldiered on as a trio, with mid-stream addition Jeff Goddard’s bass work helping establish a sidewinding path forward through the smoky jazz melodicism and sun-beaten blues brushstrokes that hung in the background of the band’s catalog.\u003c\/span\u003e\u003c\/p\u003e","brand":"Sunny Day Records","offers":[{"title":"Cassette","offer_id":48105637314804,"sku":null,"price":950.0,"currency_code":"PHP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0650\/3956\/5044\/files\/NUM905_Karate_TheBedIsInTheOcean_Cassette_1024x1024_2x_ac67c55c-ba33-42c7-861c-96c4ca2ccfb3.webp?v=1737339014"},{"product_id":"karate-make-it-fit-cassette","title":"Karate - Make It Fit Cassette","description":"\u003cp\u003e\u003cspan\u003eThe first new music from the post-emo trio in two decades. Out of the brain of Geoff Farina spills 10 new tales from their unlikely reunion, tracked with long-time Karate collaborator Andy Hong. \u003c\/span\u003e\u003cem\u003eMake It Fit\u003c\/em\u003e\u003cspan\u003e crams 35 minutes of Wes Montgomery homage, Fugazi dub plate party rocking, Lynott lyricism, and Clash city crooning into a graceful seventh album.\u003c\/span\u003e\u003c\/p\u003e","brand":"Sunny Day Records","offers":[{"title":"Cassette","offer_id":48105637282036,"sku":null,"price":800.0,"currency_code":"PHP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0650\/3956\/5044\/files\/NUM305_CASS_1024x1024_2x_9cb4558a-15fb-47ce-b69d-ee8c5316bb9c.webp?v=1737339171"},{"product_id":"bad-brains-i-against-i-cassette","title":"Bad Brains - I Against I Cassette","description":"\u003cdiv id=\"productDescription_feature_div\" class=\"celwidget\" data-feature-name=\"productDescription\" data-csa-c-type=\"widget\" data-csa-c-content-id=\"productDescription\" data-csa-c-slot-id=\"productDescription_feature_div\" data-csa-c-asin=\"\" data-csa-c-is-in-initial-active-row=\"false\" data-csa-c-id=\"155ggt-xovuf8-v27cpw-s5psev\" data-cel-widget=\"productDescription_feature_div\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-feature-name=\"productDescription\" data-template-name=\"productDescription\" id=\"productDescription_feature_div\" class=\"a-row feature\" data-cel-widget=\"productDescription_feature_div\"\u003e\n\u003cdiv id=\"productDescription\" class=\"a-section a-spacing-small\"\u003e\n\u003cp\u003e\u003cspan\u003eI Against I is the third studio album from Bad Brains, originally released in 1986 on SST Records. It remains the best-selling album in the band's catalog, showcasing Bad Brains' unique fusion of punk rock, hardcore punk, reggae, and heavy metal influences.  It remains influential to this day, inspiring countless punk, ska, reggae, and hardcore bands with it's innovative sound and uncompromising attitude. This reissue marks the eighth release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner and pressed at Furnace Record Pressing.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"dmusic-dpx-tracklist-feature-fetcher_feature_div\" class=\"celwidget\" data-feature-name=\"dmusic-dpx-tracklist-feature-fetcher\" data-csa-c-type=\"widget\" data-csa-c-content-id=\"dmusic-dpx-tracklist-feature-fetcher\" data-csa-c-slot-id=\"dmusic-dpx-tracklist-feature-fetcher_feature_div\" data-csa-c-asin=\"\" data-csa-c-is-in-initial-active-row=\"false\" data-csa-c-id=\"7x6wq5-z13t9u-wreg4r-l9twuh\" data-cel-widget=\"dmusic-dpx-tracklist-feature-fetcher_feature_div\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"detailBullets_feature_div\" class=\"celwidget\" data-feature-name=\"detailBullets_feature_v2\" data-csa-c-type=\"widget\" data-csa-c-content-id=\"detailBullets_feature_v2\" data-csa-c-slot-id=\"detailBullets_feature_div\" data-csa-c-asin=\"\" data-csa-c-is-in-initial-active-row=\"false\" data-csa-c-id=\"i91ds8-ix1hn6-plz06q-zblhhr\" data-cel-widget=\"detailBullets_feature_div\"\u003e\n\u003cdiv id=\"detailBulletsWrapper_feature_div\" data-feature-name=\"detailBullets\" data-template-name=\"detailBullets\" class=\"a-section feature detail-bullets-wrapper bucket\" data-cel-widget=\"detailBulletsWrapper_feature_div\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Sunny Day Records","offers":[{"title":"Cassette","offer_id":48105637183732,"sku":null,"price":750.0,"currency_code":"PHP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0650\/3956\/5044\/files\/BB_IAgainstI_Cassette_1800x1800_94ac2e7b-e101-4132-84a4-089c36eb751f.webp?v=1737728497"},{"product_id":"mj-lenderman-manning-fireworks-vinyl","title":"Mj Lenderman - Manning Fireworks","description":"\u003cdiv id=\"productDescription_feature_div\" class=\"celwidget\" data-feature-name=\"productDescription\" data-csa-c-type=\"widget\" data-csa-c-content-id=\"productDescription\" data-csa-c-slot-id=\"productDescription_feature_div\" data-csa-c-asin=\"\" data-csa-c-is-in-initial-active-row=\"false\" data-csa-c-id=\"wqxn93-y2pkn7-fgjyy-1ptptz\" data-cel-widget=\"productDescription_feature_div\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-feature-name=\"productDescription\" data-template-name=\"productDescription\" id=\"productDescription_feature_div\" class=\"a-row feature\" data-cel-widget=\"productDescription_feature_div\"\u003e\n\u003cdiv id=\"productDescription\" class=\"a-section a-spacing-small\"\u003e\n\u003cp\u003e\u003cspan\u003eMj Lenderman is a songwriter born and raised in Asheville, North Carolina. The anatomy of an MJ record might go something like this: warped pedal steels and skuzzed out guitar; crackin' a cold one with some buds; a voice reminiscent of the high-lonesome warble of a choirboy. Songs snake their way from a lo-fi home recording to something glossier made with longtime friends at Asheville's Drop of Sun studios, but the recording setting doesn't seem to matter much - at it's core, a Lenderman song rings true.Manning Fireworks is a remarkable development in Mj Lenderman's story as an incredibly incisive singer-songwriter, whose propensity for humor always points to some uneasy, disorienting darkness. The punchlines are still here, as are the rusted-wire guitar solos that have made Lenderman a favorite for indie rock fans looking for an emerging guitar hero. There's a new sincerity, too, as Lenderman let's listeners clearly see the world through his warped lens.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"legalEUBtf_feature_div\" class=\"celwidget\" data-feature-name=\"legalEUBtf\" data-csa-c-type=\"widget\" data-csa-c-content-id=\"legalEUBtf\" data-csa-c-slot-id=\"legalEUBtf_feature_div\" data-csa-c-asin=\"\" data-csa-c-is-in-initial-active-row=\"false\" data-csa-c-id=\"muwvh1-boiby6-abyaws-ysmx2c\" data-cel-widget=\"legalEUBtf_feature_div\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"dmusic-dpx-tracklist-feature-fetcher_feature_div\" class=\"celwidget\" data-feature-name=\"dmusic-dpx-tracklist-feature-fetcher\" data-csa-c-type=\"widget\" data-csa-c-content-id=\"dmusic-dpx-tracklist-feature-fetcher\" data-csa-c-slot-id=\"dmusic-dpx-tracklist-feature-fetcher_feature_div\" data-csa-c-asin=\"\" data-csa-c-is-in-initial-active-row=\"false\" data-csa-c-id=\"lrkyc5-w80g35-ujaqu0-xfwcoq\" data-cel-widget=\"dmusic-dpx-tracklist-feature-fetcher_feature_div\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"detailBullets_feature_div\" class=\"celwidget\" data-feature-name=\"detailBullets_feature_v2\" data-csa-c-type=\"widget\" data-csa-c-content-id=\"detailBullets_feature_v2\" data-csa-c-slot-id=\"detailBullets_feature_div\" data-csa-c-asin=\"\" data-csa-c-is-in-initial-active-row=\"false\" data-csa-c-id=\"ymcjsc-8iptjd-o6mo46-ekup6v\" data-cel-widget=\"detailBullets_feature_div\"\u003e\n\u003cdiv id=\"detailBulletsWrapper_feature_div\" data-feature-name=\"detailBullets\" data-template-name=\"detailBullets\" class=\"a-section feature detail-bullets-wrapper bucket\" data-cel-widget=\"detailBulletsWrapper_feature_div\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Sunny Day Records","offers":[{"title":"Vinyl","offer_id":48125345956084,"sku":null,"price":1990.0,"currency_code":"PHP","in_stock":false},{"title":"Cassette","offer_id":48125345988852,"sku":null,"price":850.0,"currency_code":"PHP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0650\/3956\/5044\/files\/ab67616d0000b273b18fae872e1700b83e72a15b.jpg?v=1774425034"},{"product_id":"nd-quarters-cd","title":"\u0026ND - quarters","description":"\u003cp\u003e'quarters' is \u0026amp;ND's debut EP, featuring four distinct tracks that capture different chapters of life—their past influences, present identity, and future direction.\u003c\/p\u003e\n\u003cp\u003eFrom the struggles of childhood to building relationships and gaining new perspectives, this EP is a reflection of their journey, individuality, and growth.\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; 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This Old Dog makes\u003cbr\u003efor his fifth in just over half a decade—bringing the total to 3 LPs and 2 EPs. According\u003cbr\u003eto the DMV, DeMarco is 26. But in working-dog years, ol’ Mac here could easily\u003cbr\u003equalify for social security. To stay gold, turns out all he needed was some new tricks.\u003cbr\u003eIt was a little space—in time, location, and method—that inspired DeMarco while\u003cbr\u003emaking the record. Moving from his isolated Queens home to a house in Los Angeles\u003cbr\u003ehelped give the somewhat transient Canada-native a base, and a few more months\u003cbr\u003eon his calendar to create did their job as well. Arriving in California with a grip of\u003cbr\u003edemos he’d written in New York, he realized after a few months of setting up his new\u003cbr\u003eshop—complete with a few new toys—that the gap was giving him perspective (insert\u003cbr\u003etooth joke here).\u003cbr\u003e\u003cbr\u003eRight off the bat, from the pops and clicks of the CR-78 drum machine and acoustic\u003cbr\u003estrums on the album-opening “My Old Man,” the synth-drenched beauty of the\u003cbr\u003esecond track, “This Old Dog,” it’s clear that DeMarco’s bag is filled with new tricks\u003cbr\u003eindeed. This Old Dog is rooted more in a synth-base than any of his previous releases,\u003cbr\u003ebut he is careful not to let that tactic overshadow the other instruments and overall\u003cbr\u003e“unplugged” mood of the work: “This is my acoustic album, but it’s not really an acoustic album at all. 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The whole band was adamant that WIRED had to be their most decisive artistic statement yet. Title-track “WIRED” is the most urgent they’ve ever sounded, a surefire live staple propelled by needling guitars, a slugging drumbeat, and a skyscraping hook that finds Fisher’s voice in peak form. “Broken By Design” has the opposite temperament: dusky, delicate, bass-led, but still quintessentially Basement in its immediate catchiness and moody character. Nothing on WIRED sounds stagnant. Not one part feels undercooked. The band looked to a smorgasbord of adventurous heroes for inspiration (REM, Interpol, Smashing Pumpkins, to name a few) without ever sounding like they’re imitating any one band -- not even themselves.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe record’s title condenses all of this into a single word. The textural connotations of WIRED -- metallic, sharp, jagged -- evoke the album’s steely sonics, and on a more conceptual level, the title speaks to Basement’s unshakeable tenacity. An analog band who’ve thrived in an increasingly digital world without resting on the comforts of nostalgia. Five friends who’ve persisted through several breakups and breakthroughs, but have only grown as people and evolved as a musical unit. At this point, Basement have to accept their fate: they're WIRED for this shit.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAlbum Tracklist\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e1. Time Waster \u003cbr\u003e2. WIRED \u003cbr\u003e3. Deadweight \u003cbr\u003e4. Broken By Design\u003cbr\u003e5. Pick Up The Pieces \u003cbr\u003e6. Embrace \u003cbr\u003e7. Sever\u003cbr\u003e8. The Way I Feel\u003cbr\u003e9. Satisfy \u003cbr\u003e10. Head Alight\u003cbr\u003e11. Longshot\u003cbr\u003e12. 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